Signature

Starting at

$5065

The Signature flute is crafted of sterling silver, using proprietary technology to produce such a high quality that Verne Powell’s own signature is engraved on the instrument. The Powell Signature headjoint is designed to be easy to play, while being colorful, focused, and flexible. These headjoints are hand cut by professionally trained craftsmen who also craft Powell’s Custom headjoints. All signature flutes are delivered in a beautiful cherry wood case, made in Vermont, along with a padded leather case cover.

Need Help?

Call 1-877-RMC-1964 to talk to a member of our sales team.

Features

The Signature flute is crafted of sterling silver, using proprietary technology to produce such a high quality that Verne Powell’s own signature is engraved on the instrument.

All Signature flutes come with 10K white gold springs, a beautiful cherry wood case, a padded leather case cover, and a Signature hand cut headjoint.

The Powell Signature headjoint is designed to be easy to play, while being colorful, focused, and flexible. These headjoints are hand cut by professionally trained flutists who also craft Powell’s Custom headjoints.

Options

Key Cups/Alignment

Open Hole with Inline G Keys

Open Hole with Offset G Keys

Pitch

A-442

Body Tubing

.016” Sterling Silver with Sterling Silver Mechanism

Headjoints

Sterling silver Signature Cut

Footjoint

Low B

Low C

Keywork

Split EThe Split E is an additional mechanism that offers a more secure high E natural and improves its articulation. It does not alter the pitch of any notes. It is typically only offered on offset key flutes.

Lower G Insert (G Disc) (Standard)Also known as a G Disc, the Lower G Insert is a much less expensive alternative to the Split E mechanism, and also provides a more secure high E natural. Some players notice a slight flattening of the A natural in the first and second octaves.

High C Facilitator (Gizmo Key) (Standard)To counteract the additional resistance of the low B footjoint, the High C Facilitator closes the low B tonehole to improve the response of the 4th octave C.